This sculpture depicts the Buddha seated in meditation, with his legs crossed in the lotus position. The right hand reaches downward in the bhumisparsa mudra, the gesture of calling the earth to witness, while the left hand rests upon the lap, palm facing upward. This iconography refers to the pivotal episode of the Enlightenment, when the Buddha called upon the earth to bear witness to his victory over Māra.
 
The work belongs to a regional tradition associated with local workshops, distinct from major royal commissions and the principal urban artistic centres.
 
The body displays elongated proportions and gently sloping shoulders, partially covered by the monastic robe, a section of which crosses the left shoulder in a smooth and restrained band. The simplicity of the modelling contrasts with the ornamental treatment of the triangular base with rounded corners, decorated with finely engraved vegetal motifs. This substantial pedestal, cast integrally with the figure, is characteristic of certain regional productions.
 
The unusual face is distinguished by its pronounced elongation and extended oval shape. The closed eyes, broad nose and subtle smile give the figure an introspective and meditative expression. The deliberately prominent right nipple, together with the broad hands and stylised fingers, contributes to a direct and expressive sculptural vocabulary. These features, combined with the three horizontal folds of the neck, are characteristic of regional Laotian workmanship, in which simplified volumes and the deliberate emphasis of particular features take precedence over naturalistic representation.
 
Condition:
Good overall condition. Very beautiful, deep and nuanced dark-brown patina. Minor old losses to the throne. Small fissure to the right hand. The flame finial on top of the head is missing.